Text by Evalie Wagner
Fotos by Sebastian Pessenlehner
Palermo, a city full of contradictions, was my third destination in my Giro di giardini in Italy this year. During my artist in residency stay in Paliano located in the South of Roma, I was astonished by the wild meadows - poppy, wild lentil, wild roses flourished abundantly in May.
Then I went further down South, passed Napoli, and discovered a 2000 years old wall painting depicting a hauntingly beautiful garden in the ruins of Pompeii. More than ever I realized that plants have inspired aesthetics throughout history.
Finally, I reached Palermo, which feels for me like a peculiarly overgrown garden, a bit run down, but nowhere else than here, exactly here, in this fragmented, imperfect, decayed realm can dreams and thoughts flourish, can utopia be invented.
There is no better way to explore this diversity than by straying through the city and its markets. Here one of the main qualities of the Manifesta comes into play – it not only invites to official venues, but being spread out over the city, I wandered around and eventually discovered Palermo’s hidden corners.
Even if plants are the protagonists of the Biennial, their narratives reach beyond the botanical and tell the story of a city with a turbulent and rich cultural past and present.
Apparently an old painting with a green view over the city had inspired the curatorial team around Hedwig Fijen for this year’s Manifesta, centered around the botanical garden.
Palermo’s orto botanico was founded in 1789 as a laboratory to study, text, mix and integrate foreign botanical species.
Throughout centuries, seeds of plants and trees from all over the world were brought to Palermo to find a new habitat there. A perfect court to host Leone Contini´s art project Foreign Farmer, 2018. It is rooted in Italy’s agricultural past and present, investigating rural activities carried out by different migrant communities in order to fulfill their nutritional needs.
With the omnipresent sea, visible yet and again from windows in different places, it is no wonder that several video works reflect on the boundaries of freedom. Sicily as an exposed island is one Europe’s hotspots with regard to migration and is governed by the unconventional mayor Orlando, who is as resistive as his city, standing up for the rights of refugees in turbulent times.
About the austrian Artist Evalie Wagner: